Photo Essays
"On the Bricks Again"
Tricia Binette, 26, has been waiting for this moment for over thirty-six months. Waiting to put on different clothes, waiting to take a bath, waiting to smoke a
cigarette, waiting to eat at Pizza Hut, and, most of all, just waiting. Tricia has served a three-year sentence for robbery and for selling crack cocaine. Today she will be released.
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Tricia Binette grasps the handle of a Maine Correctional Center van door and slides it open. With a huge smile across her delicately featured face—and a hint of fear in her eyes—she steps down and looks back at a fence that she has not been outside of in three years. She made it. But it’s just the beginning. Now, Trish will have to stay clean and piece together her life after five years of serious drug use. Trish was raised in foster homes and alone on the street since she was ten years old. During which her son, now six, was taken away from her because she was deemed unfit to raise him.
It won’t be easy. The apartment that Tricia was able to secure is next door to a crack house. Every time she goes to pick up food stamps, she sees old friends from when she was homeless, and customers in search of drugs still recognize her—even after the hundred pounds she gained in prison.
Trish is strong and determined though and she is in a promising position: she has an apartment, a job, enough food and she is saving money to get the tools she needs to start her stained-glass projects again—to keep herself busy and away from temptation. Trish has sober friends. She has determination. And she has hope. In a strange way, Trish says, prison saved her life; more than one of her friends overdosed while she was incarcerated. With her infectious warmth, Tricia affirms, “Everyday, I feel lucky.”
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All photos courtesy of Salt Archive.
"A Sudanese Refugee in Maine"
Sudanese children in t-shirts, jeans, skirts, hooded sweatshirts, and wool sweaters sit on metal chairs around circular wooden tables facing the stage. R&B music pours from the speakers, warming the cool auditorium with sounds of East Africa and urban America. Two tables of adults sit among the children. Between the stage and the tables, a small group of boys and girls walk around a circle of chairs—giggling, laughing, starting and stopping, slow and then in a rush, moving in time with the music.
To read the rest of Michael Kongo’s story, please visit kyleboelte.com
Click the thumbnails to see a larger version.
All photos courtesy of Salt Archive.